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Howdy! I'm Chloe and I'm a motion graphics designer/editor. I'm a recent graduate from the UC Berkeley Graduate School of Journalism, where I studied motion graphics, coding, and data journalism. Check out some of my favorite creations.

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COVID-19 IN COLLEGES

As a New York Times News Assistant, I helped collect data used for this interactive which documents infections on college campuses across the United States. Work like this intervactive won my team the 2021 Pulitzer Prize for Public Service. 

This is a placeholder for my master's thesis, which is a portfolio of animated explainer videos I made for the popular short-form video platform, TikTok. In this process, I ideated how to incorporate news onto the platform to engage mobile-centric audiences, I then wrote the scripts, drew the assets, recorded the audio, and mixed everything together on Adobe AfterEffects. 

LET'STOK
[COMING SOON]
THE REEFS

This is the animation I composed as a final project. The video was on the state of the ocean reefs, full video on my Vimeo page.

INCARCERATED AND INFECTED

Since January, I have worked as a data news assistant for The New York Times tracking COVID -19 infections in correctional facilities. I was responsible for contacting remote facilities, interviewing incarcerated people, and updating our national spreadsheet. 

OBAMA 

This Obama animation was part of my summer mentor practice. The task was to emulate a particular editing style. Full video on my Vimeo page.

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UFOs 

I and used D3 to illustrate a dataset of the most common shapes people report seeing when they say they've seen a UFO đź‘˝

ROSA

This was my first successful AfterEffects experiment. I was given some documents and I altered and animated them, full clip on my Vimeo page.

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HISTORY OF VIDEO GAMES

This was my final project for a data visualization course. I chose the topic, designed the site, and used tableau to make the interactive charts. 

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SORRY, BUT YOU CAN'T BE WOKE AND GO TO COACHELLA (EDITORIAL)

I wrote this viral editorial back in 2018, about how the music festival draws in liberal crowds but its profit goes to a conservative billionaire. I also ideated the accompanying illustration.